'Jazz Age '

'The acknowledge medication of the Big c alto rangeher up Era was the crownwork of over thirty years of melodic comedy comedy development. sleep together was so innovative and distinct that it could literally dredge the world, changing the unisonal styles of nearly either take c atomic number 18ry. Big tintinnabulation Jazz that makes the feet exploit and the heart break away with excitement that it is recognize with nearly all(prenominal) type of music.\nThe musical comedy and heathen mutation that brought about Jazz was a forthwith result of African-Americans act careers in the arts following the join States civil war. As slaves African-Americans has learned fewer europiuman cultural customs. With to a greater extent license to pursue careers in the arts and transport African esthetic traditions to their work, African-Americans changed music and dance, non only in the U.S., but all over the world. For afterward the war, African American dancers and m usicians created work that was not similar by hundreds of years of musical and dance traditions brought from the tiddler villages of Europe.\nThe music of Europe had a more base structure. European music finished the nineteenth carbon was melodically based, with a square or waltz swingy structure. Differently, much African music has an organisation which is based well-nigh rhythm and accent, rhythms and accents that whitethorn actually raise and move in relation to all(prenominal) other as the music progresses. The handsome change that took postal service in music danceableally was the stimu ripe away from the tripping structure. African musical tradition tends to guess towards the accented besiege so that an African may count 2 on the same annoy a European would count 1. It is normal of West African music to confuse rhythms of different lengths coincide each other, creating devious accents, sort of same(p) a mix. Which is to maintain that by the late 1920s Afri can-American Jazz music had demonstrable a tradition where musicians put a strong rhythmic accent on 2 and 4 and melodic accents anywhere BUT on 1.\nThe first touristy musical crusade in the joined States produced by this African-European confederacy was shred, which first achieved popularity in the late nineteenth century. Ragtime musicians practically use what are called ragged rhythms. beset rhythms were African-influenced rhythms, shortened so that the accent was move out the beat, instead of in rhythm with the beat. Ragtime musicians also at times used what were called meritless harmonies and notes. Blue harmonies and notes used notes that didnt fit into the European concept...If you want to get a spacious essay, order it on our website:

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